To say whether hyperrealism is meaningful or not, we first know how it came into being. For more than 500 years since the Renaissance, Western painters have been trying to portray the world as truly as possible through scientific analysis. In this period, perspective, anatomy, color and so on began to appear. The  Large Abstract Wall Decor of this period can be found to be realistic. For example, we are all familiar with Leonardo Da Vinci and other painters, who study a lot of knowledge, observe and depict everything carefully and truly. Let's take a look at "Overrealistic Oil Painting Introduction".

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From then on, realistic  Extra Large Abstract Painting flourished until the emergence of photography in the first half of the 19th century. From then on, realistic painting flourished until the emergence of photography in the first half of the 19th century. After the emergence of photography, most of us look at painting with the same attitude as the landlord - what if the painting is real? We have cameras. Later, modern art schools showed a brilliant trend. Impressionism, Cubism, Expressionism and Fauvism took turns to appear. Each school had its own unique artistic form and ideas. In this process, although the content of each school is different, there are common points that deny the traditional art form, emphasize the expression of subjective feelings, abandon the description of the objective world, and form the transformation from concrete to abstract.

The next thing we can imagine is that because of the prevailing abstract art in the United States, a feeling of resistance to the monopoly of  Oversized Abstract Art arises. So some artists began to create super realistic paintings, hoping to break the situation of abstract unification. There are three main reasons for their resistance. First, in the 1960s, influenced by the artistic form at that time, artists had an impetuous mentality of eager for quick success and instant benefit. Behind the works full of personal subjective feelings, the artist's personal spiritual height has not been improved, but began to go on the perfunctory road. Second, the popularity of abstractionism makes the art of painting gradually away from the masses, ordinary people can not understand the meaning of these abstract works at the same time can not appreciate, hyperrealists hope to let the masses re-recognize the charm of painting. The third point is to hope that the technical performance of  Large Black and White Art will be valued again. The so-called art can not be separated from skilled technology. Popular point of view is that the paintings did not reflect too much technical, so many people now see those masterpieces mistakenly think that children in kindergartens can also paint - although the artist's skills are very exquisite, but can not be reflected. Hyperrealism embodies the skill of painting and photography. Skilled technology should be supported by diligent study and hard practice, and can not be opportunistic.